The text passionately conveys that each number, like the reported deaths, represents a profound loss of life and potential. It emphasizes that these numbers aren't mere statistics but are individuals with dreams, hopes, and everyday aspirations. The concept of home is crucial, where belonging to familiar sounds, forms, and smells matters deeply. The text challenges understanding from a distant perspective and suggests a need for a new map, one without borders, where communities are interconnected and cultures freely exchange without imposition.

The text reflects on two core principles of their collective: non-hierarchical structure and being porous. It acknowledges the challenges of shape-shifting to accommodate new members and navigate institutional spaces. The author shares personal struggles with chronic pain exacerbated in collective environments, leading to reflections on identity, guilt, and societal expectations. They question how porousness can be achieved amid personal and collective struggles, suggesting a need for institutions to embrace flexibility and understanding. Ultimately, it frames the collective as a gathering of resilient yet vulnerable individuals striving for inclusivity and adaptation.

The text discusses a voice piece created by the speaker and Hanan during a workshop in Brussels. Titled "Anger," it explores the theme of anger as a powerful force in their lives. The speaker expresses that anger has been instrumental in overcoming oppression and speaks to the contrast between anger and silence. They also hint that Hanan shares similar experiences of oppression and utilizes anger as a response. The piece reflects their individual voices and how anger manifests uniquely in each of them.

The text is a poignant reflection on a childhood experience of being forced to wear a full black dress with a head cover, likely a burqa, due to religious reasons. The speaker, a five-year-old child, expresses frustration and sadness at being unable to play freely like other children because of the restrictive clothing imposed by their mother. The mother's explanation, that wearing the dress is necessary in Islam and disobedience would lead to severe punishment in hell, leaves a lasting impact on the child's perception of other girls and their own identity. The text highlights the emotional and psychological burden imposed on the speaker at a young age.

The text discusses the challenges faced by Hanan and her friends in finding proper housing. It highlights the difficulties refugees and asylum seekers encounter, including being denied access to housing and facing long waiting lists. The group's collective effort made the process somewhat easier compared to individual attempts. For Hanan, obtaining housing was a significant challenge even after obtaining her documents, and she currently resides in a small, humid studio with her mother. Despite the conditions, having this space is seen as fortunate, albeit unjust, due to the bribes and challenges involved. The ongoing search for better housing continues amidst the complexities of language learning and caregiving for a disabled mother.

The text explores the concept of the moment between what was and what will be. It reflects on the transformative power of such moments, where old orders dissolve, making way for new creations and cosmic events. It delves into the idea of perpetual rebirth through these explosive moments of creation, where existing realities are annihilated to give rise to something new. It contemplates the potential of unmanifested spaces and raw materials waiting to be shaped into existence.

The speaker comes from a family of Anatolian refugees who experienced genocide in the Ottoman Empire a century ago, affecting Armenians, Greeks, Muslims, and Jews. They believe losing land and culture is profoundly traumatic and resonates across generations. They argue that countries hosting refugees should support cultural remembrance rather than promote assimilation. Multiculturalism, they argue, is essential for societal progress, allowing people to preserve languages and traditions. They advocate for projects like Syrian embroidery to preserve cultural practices and stress the importance of remembering genocides to prevent their recurrence and maintain cultural identity.

The text explores deep reflections on identity, heritage, and the burdens of motherhood across generations. It begins with vivid childhood memories of snorkeling and observing sea life, juxtaposed with poignant descriptions of the narrator's grandmother: a resilient Asian refugee who defied expectations to rediscover herself later in life. The grandmother's journey contrasts sharply with the narrator's mother, who endured a violent marriage and divorce, embodying a different type of strength. The narrative then delves into broader themes of patriarchy, displacement, and personal pain, linking these to the narrator's own experiences as an activist and a woman navigating multiple cultural and societal identities. Questions about inherited trauma, the impact of migration, and the struggle to balance activism with self-care are central. The text concludes with a haunting question about the role of activism in modern society and its toll on personal well-being. Overall, it's a profound exploration of family history, cultural heritage, and the personal and collective struggles faced by women across generations.

The text reflects on the journey of personal growth and discovery through overcoming anger and dissatisfaction. Initially surrounded by childhood friends, the narrator feels constrained by societal expectations and their demands. A moment of intense anger becomes a turning point. They decide to leave, seeking their own path and eventually finding new people who share similar aspirations. The narrator emphasizes that embracing anger as a powerful energy can lead to positive change and creativity. For them, this journey led to becoming an artist, using art as a medium to express dissent and communicate freely without hidden agendas. Without channeling their anger into art, they suggest they might have ended up in a different, less productive place. Overall, the text explores the transformative power of anger when harnessed constructively, leading to personal liberation and creative expression.